Italian Mannerist Painter, ca.1495-1540 Born in Florence Italy with the red hair that gave him his nickname, Rosso first trained in the studio of Andrea del Sarto alongside his contemporary, Pontormo. In late 1523, Rosso moved to Rome, where he was exposed to the works of Michelangelo, Raphael, and other Renaissance artists, resulting in the realignment of his artistic style. Fleeing Rome after the Sacking of 1527, Rosso eventually went to France where he secured a position at the court of Francis I in 1530, remaining there until his death. Together with Francesco Primaticcio, Rosso was one of the leading artists to work at the Chateau Fontainebleau as part of the "First School of Fontainebleau", spending much of his life there. Following his death in 1540 (which, according to an unsubstantiated claim by Vasari, was a suicide ), Francesco Primaticcio took charge of the artistic direction at Fontainebleau. Rosso's reputation, along those of other stylized late Renaissance Florentines, was long out of favour in comparison to other more naturalistic and graceful contemporaries, but has revived considerably in recent decades. That his masterpiece is in a small city, away from the tourist track, was a factor in this, especially before the arrival of photography. His poses are certainly contorted, and his figures often appear haggard and thin, but his work has considerable power.  Related Paintings of Rosso Fiorentino :. | Madonna and Child with Putti | Descent from the Cross | Moses and the Daughters of Jethro (nn03) | Madonna Enthroned and Ten Saints | Madonna Enthroned between Two Saints |
Related Artists:
jonathan miller
(born July 21, 1934, London, Eng.) British director, writer, and actor. After earning a medical degree at Cambridge University, he made his professional stage debut at the Edinburgh Festival in the hit satirical revue Beyond the Fringe (1960).
Hendrik Valkenburg
painted An old kitchen with a mother and two children at the cauldron in 1872
ALSLOOT, Denis van
Flemish painter (b. 1570, Mechlin, d. 1628, Bruxelles) He initially painted using the style of Gillis van Coninxloo, but after 1610 gradually developed a style of his own. This style can be seen in paintings such as The feast of the Ommegang (Museo del Prado, Madrid) and Procession to Mary at the Zavel in Brussels (Victoria and Albert Museum, London). At the beginning of the 17th century, in either 1600 or 1606, his career rose when he served as court painter to Albert and Isabella. Hendrick de Clerck painted sometimes the people in his works. Van Alsloot's work can be regarded as a precursor to modern Landscape art.